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Italo Disco Story. Il dominio italiano sulla 'dance culture' degli anni '80. Analisi di un fenomeno musicalmente e artisticamente dominante che, a distanza di quasi trent'anni dal suo avvento, vanta milioni di cultori e di appassionati in ogni parte del mondo. Snobbato dalla critica, dai media tradizionali e dalle majors della musica, l'Italo Disco rimane ancora un fenomeno 'tutto italiano' commercialmente ineguagliato, ma poco compreso ed, in massima parte, sconosciuto.
- Sales Rank: #4144554 in Books
- Published on: 2015-06-21
- Released on: 2015-06-21
- Original language: Italian
- Number of items: 1
- Dimensions: 9.00" h x .73" w x 6.00" l, .95 pounds
- Binding: Paperback
- 292 pages
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DOPO LA DISCO MUSIC, VENNE L'ITALO DISCO (MUSIC).
By Verrina Francesco Cataldo
Con l’arrivo degli anni ’80 la disco-music di marca statunitense, che aveva già abdicato da tempo ad appannaggio dell’Eurodisco, appariva come una sbiadita copia di se stessa. Mentre gli Inglesi avevano preferito deviare verso un formato sempre più vicino al pop, i Tedeschi, assillati dall'avanzata della new-wave, si erano lasciati irretire da complicate commistioni sonore, fatte di elettronica e krauti-rock. Dal canto loro gli Spagnoli si mostravano inadeguati alle nuove sfide del mercato, così come i Francesi apparivano scialbi, obsoleti e privi di idee, mentre i soli a sfruttare il vento del cambiamento, traendone profitto, furono gli Italiani. Sia pure bistrattati da certa critica spocchiosa e liquidati con la riduttiva definizione di spaghetti-dance, i produttori italici della prima ora, per molti anni, riuscirono a tenere in mano lo scettro delle charts disco-dance Europee e mondiali. Le produzioni italo-disco avevano il pregio di essere imperniate su ariose melodie, sovente caratterizzate da un “refrain” a presa rapida e giocate su armonie vicine al pop di facile ascolto, i cui ritmi scarni ed essenziali, risultavano assai propedeutici alla dilagante mania del mixing che in quegli anni, grazie ad una discreta evoluzione del giradischi, sembrava essere un diktat per ogni provetto DJ. Pur basate, su testi inglesi dal sapore vagamente scolastico e pronunce talvolta improbabili, le pubblicazioni delle etichette italiane avevano una forte analogia con taluni prodotti del “New-Romantic” britannico, le cui sonorità rarefatte e largamente melodiche spesso si confondevano con quelle marca italica. Infine, l’utilizzo appena accennato delle tecnologie elettroniche e quell’aria di frivola leggerezza, talvolta autoironica, stabiliva una sorta di “continuum” privilegiato con la primigenia Eurodisco, tanto da diventare presto un fenomeno dominante nelle classifiche di mezzo mondo, delineando, oltremodo, uno stile inconfondibile, spesso imitato in ogni landa del pianeta Terra.
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